16 mic/line + 1 stereo line Input, 16-Output. Intuitive and smooth all-in-one rack-style digital mixer.
TF-RACK offers all-in-one mixing and processing capability for small to medium scale live sound, corporate speech events, installations and much more. It packs intuitive user interface, natural control flow, digital effects/processing units and many shortcuts to great sound into a compact, portable rack-style unit.

Key Features:
• The 3U size, rack-mount form digital mixer
• Input channels: 32 mono, 2 stereo, 2 return.
• Busses: 20 Aux (8 mono, 6 stereo), Stereo, Sub, 4 matrix.
• Local I/O: 16 mic/line + 1 stereo line in, 16 out.
• Recallable “D-PRE™” Microphone Preamplifiers provide an ideal sonic foundation.
• Intuitive user interface optimized for touch panel operation.
• Traditional Overview and Selected Channel Interfaces
• “1-knob COMP™” & 1-knob EQ™ make it easy to dial in the ideal sound
• “QuickPro Presets™” provide instant access to pro sound setups.
• “GainFinder™” supports precision gain setup
• “SENDS ON FADER” buttons instantly bring the specified AUX or FX bus levels up on the faders for easy verification and adjustment.
• Seamlessly integrated remote control and offline editing via an Apple iPad® or other computing device.
• Direct 2-track recording to USB storage devices, or serious multitrack recording to a DAW via USB.
• Multitrack recordings can be used for “virtual sound checks” when performers aren’t available.
• 1 expansion slot for NY64-D audio interface card
• Other features: 8 Powerful Processing/Effect Units, User Defined Knobs, User Defined Keys, 8 DCA groups, and more.

Scene memory that stores mix settings for instant recall
The scene memory features banks A and B, each capable of holding up to 100 scenes. That’s a total of 200 scenes that can be set up and instantly recalled whenever needed. A number of scenes are pre-programmed to give users a head start: scenes with the 1-knob COMP and 1-knob EQ controls engaged for the easiest possible operation, and scenes with the 1-knob features disabled for experienced engineers who might want to follow an established procedure. The banks are great for organizing different types of scenes: one for scenes categorized by music type, and the other by event type, for example.

1-knob COMP™ & 1-knob EQ™: One Knob to Dial In the Ideal Sound
An experienced engineer can do a lot with a compressor: bring a guitar to life, add punch to bass, tighten up a snare, and make vocals ride clearly on the mix. The 1-knob COMP can do all of this quickly and easily, without the need to juggle multiple parameters to achieve the desired effect. Originally introduced in Yamaha analog mixers, the 1-knob COMP quickly became a popular and valued feature. It has now been further refined in a digital version that adds new setup ease and efficiency to the TF consoles. The same concept has been applied in a new 1-knob EQ feature that provides notably improved speed and smooth operation. 1-knob EQ has been painstakingly fine-tuned by Yamaha R&D staff in cooperation with distinguished sound engineers, to ensure that you can achieve outstanding results with minimum effort in the shortest possible time.
A Vocal Mode makes it easier than ever to achieve a clear, well defined vocal sound, while an Intensity Mode offers 1-knob “intensity” control over EQ curves you either select from the presets or create from scratch. But there’s more: the 1-knob COMP and 1-knob EQ are provided on the output channels too, so you can quickly achieve overall output compression or EQ that ideally matches the room and audience size. The output 1-knob EQ has a Loudness Mode in place of the Vocal Mode, effectively increasing the sound pressure level while maintaining optimum sound as you rotate the knob. Both the 1-knob COMP and 1-knob EQ provide quick access to the full compressor and EQ displays, so you can fine tune settings as required.

Revolutionary Dan Dugan Automatic Mixer Built In
Thanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the TF series consoles. The processor is available for input channel 1-8, you can accsess the setting screen easily from their channel strips for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.